Nameless, Faceless
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Nameless, Faceless is a collection of small-scale sculptures that speak to a vast, quiet crisis — the erasure of identity in a world overwhelmed by noise. Each form, stripped of distinguishing features, represents the countless individuals who go unseen, unheard, and unacknowledged in our systems, cities, and screens.
These figures are not portraits, but symbols — stand-ins for the marginalized, the forgotten, the overlooked. In reducing detail, they paradoxically invite deeper reflection: Who are they? Who have we failed to see?
Through this minimalist language, the collection challenges viewers to confront their own relationship to visibility, empathy, and societal worth. It asks: In a world obsessed with image, what happens when identity is taken away — or never granted at all?
Choose Love
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Choose Love is more than a collection of heart-shaped sculptures — it’s a meditation on emotional resilience and an invitation to transform pain into compassion. Each piece serves as a physical reminder that love is not a passive feeling but an active, intentional choice we make in every moment.
Love, in its truest form, doesn’t only emerge from joy. It is forged through the difficult, the uncomfortable, the raw. It is the ability to meet anger with understanding, to greet fear with hope, to respond to cruelty with courage. These sculptures honor that journey — the quiet but powerful decision to choose love, even when it’s hard.
At the center of this work is a belief: you cannot fully love others if you do not first love yourself. These hearts are not perfect. They carry cracks, weight, and wear — just like we do. And yet, they stand whole. In embracing our own imperfections, we become more capable of giving authentic love to the world around us.
Choose Love is a motto to live by — and a practice to return to, again and again.
The Flower of Sisyphus
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The Flower of Sisyphus is a sculpture born from contradiction — a symbol of beauty suspended in futility. Drawing from the myth of Sisyphus, who was condemned to endlessly push a boulder uphill only for it to roll back down, this work reimagines that eternal struggle through a more delicate form: a flower that blooms but can never wilt, thrive, or escape.
This piece explores the tension between endurance and entrapment, hope and hopelessness. The flower stands as a paradox — a thing of life rendered lifeless by its permanence. Its eternity is not freedom, but sentence.
By framing the myth in organic form, the sculpture challenges us to reflect on our own cycles — the tasks, roles, or relationships we repeat without resolution. It asks: Is there nobility in enduring? Or does meaning emerge only when we choose to break the cycle?
In the stillness of this eternal bloom lies a quiet defiance — a refusal to stop growing, even when the outcome is the same.
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SMILE. you're happy!
Smile, You're Happy is a haunting sculpture that captures the tension between surface expression and internal truth. At first glance, the piece appears to grin — but look closer, and the illusion shatters. The smile isn’t natural. It’s held in place, pinned, stretched — a forced performance in the theater of everyday life.
This work explores the unsettling pressure to perform happiness in a world that often rewards masks over authenticity. It questions the rituals of forced joy and curated personas, where smiles become costumes and emotion becomes stagecraft.
In a society that feels like a costume party, Smile, You're Happy is a refusal. A declaration. I choose to wear my real face. Not the one expected of me, not the one stitched together by approval or fear — but the one that reflects how I truly feel.
This sculpture invites viewers to ask themselves: Whose smile are you wearing? And what would happen if you took it off?